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Public Spaces


Public art should be rooted in the community

New town centers or urban redevelopment projects are often derided as "sterile" or "soulless." In response, developers and local governments provide public art. While many such works have little relevance to the communities they're located in, some can honor and even create a local culture or identity.


Stained glass window tribute to Jayna Murray, Bethesda Avenue.

Montgomery County's planning department often requires developers to place public art in new projects, especially in urban areas like downtown Silver Spring and downtown Bethesda.

At North Bethesda Market, a complex of apartments and shops in White Flint, developer JBG Companies hired artist Jim Sanborn to create a sculpture he called Alluvium. Located in the middle of a plaza, the bronze cylinder is embossed with quotes from John Muir and Thomas Jefferson and set in a waterfall meant to represent the Chesapeake Bay.

Though the sculpture is named for the white quartz that White Flint gets its name from, it doesn't feel like a product of its place. Alluvium's narrative about the power of nature says nothing about the history or culture of White Flint as a community, nor does it provide an opportunity to create a new history or culture in White Flint.

Sculpture, North Bethesda Market
Alluvium sculpture in North Bethesda Market. Photo by the author.

Not only does it resemble the artist's other works, but Sanborn admitted that the piece was largely inspired by the geography of Montana. If anything, Alluvium is an expression of JBG's ability to lavish money on the public spaces in its developments, which is important if they want to draw tenants to apartments renting for nearly $5,000 a month.

Other urban centers in Montgomery County use public art to commemorate tragic events. In downtown Silver Spring, friends and family of fourteen-year-old resident Tai Lam created a memorial to him after he was murdered on a Ride-On bus.

The impromptu assemblage of photos, notes and flowers sat at the base of a streetlight on Ellsworth Drive for several months before the Peterson Companies, which manages the public street on behalf of the county, laid a brick with Tai Lam's name on the sidewalk, smaller, more permanent tribute to the teenager.

Tai Lam Brick
Tai Lam brick. Photo by the author.

Meanwhile, in Bethesda, yoga-wear store Lululemon Athletica turned their storefront into a tribute to employee Jayna Murray, who was murdered by a coworker three months ago. In place of the store's name, the façade bears a stained-glass window with Lululemon's logo and the word "LOVE."


Stained glass window tribute to Jayna Murray, Bethesda Avenue. Photo by the author.

Neither Tai Lam's brick or Jayna Murray's window were commissioned by the Planning Department. Both of them were relatively cheap to make and didn't involve renowned artists. You could argue that neither of them were public art, as Tai Lam's brick is part of an existing sidewalk and Jayna Murray's window was paid for by a store to be used in that store.

Yet both pieces can be seen and interacted with by everyone who passes through the streets they're located on, making it a public intervention. And as tributes to members of the Silver Spring and Bethesda communities, both pieces are already more significant to that community than a commissioned artwork.

Meaningful public art doesn't have to come out of tragedy. Those who commission, pay for and create an artwork should look at the place where the piece will be located and find some reference to draw inspiration from within that community, whether it's a significant event, person, or cultural oddity. Grand statements are nice, but they don't make a unique place. Public art that can celebrate the little things is the way to create local character.

Dan Reed writes about planning issues in eastern Montgomery County and is interested in how people, especially young people, experience the urban realm. He grew up in Silver Spring and earned a double degree in Architecture and English at the University of Maryland. Dan is currently studying city planning at the University of Pennsylvania and lives in West Philadelphia. Since 2006, Dan has written his own blog, Just Up the Pike, about eastern Montgomery County. 

Comments

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Is it just me, or that stained glass window a very weak memorial?

Nice ad for the brand, though.

Lulumon is a creepy as scientology.

by charlie on Jun 27, 2011 1:12 pm  (link)

This post brings to mind the Sarajevo Roses from the Bosnian War. Not really the same thing at all, but reminiscent nevertheless.

http://en.wikipedia.org/wiki/Sarajevo_Rose
http://www.flickr.com/search/?q=sarajevo+rose

by Jimmy on Jun 27, 2011 1:16 pm  (link)

The history and culture of White Flint? I mean, the name neighborhood is named after a mall, so I'm not sure the developers were dismissing a long and storied cultural heritage when they went with their (admittedly generic) design choices. Now I'm not sure how much they were compelled to do aesthetically, but I give them credit for some interesting looking buildings and a pleasant sidewalk experience. Who knows, maybe in a few years, these sculptures will define White Flint as a place.

by Steven Yates on Jun 27, 2011 2:03 pm  (link)

I understand your sentiment but I prefer Alluvium to a single brick with a name on it. It's not easy to come up with a public art concept that rooted in community but dynamic enough to be a focal point. Rather than settle for art that's not a focal point perhaps the answer is to blend something like Alluvium with other less dramatic finishing touches that are rooted in community...

by Paul on Jun 27, 2011 2:04 pm  (link)

@Steven Yates

White Flint is named for the white quartz found there and throughout Montgomery County. The rocks gave their name to the mall, the Metro station, and Alluvium, which (according to Sanborn) is a play on "White Flint."

Just because a place is recent or suburban doesn't mean it lacks a local culture or history. In fact, that just means you have to be a little more creative in finding it.

by dan reed! on Jun 27, 2011 2:35 pm  (link)

@dan reed!

But that area wasn't really known as White Flint before the mall. In fact, the metro station was called Nicholson Lane in the planning stages.

I suppose one could have gone with something in a quartz medium or quartz referential (but it might have been a bit on the nose). But that's not really culture though is it? More of a statement of geologic fact. And again it's only called that because of the mall, so I don't think you have to go down that path.

Suburban isn't the issue, I'm not one who thinks that suburbs are automatically "soulless" places. I think it being recent is (particularly recent as a residential neighborhood). If no one lives there, the first time you do anything trying to establish a sense of place it's going to be artificial. And I think that's ok.

by Steven Yates on Jun 27, 2011 3:18 pm  (link)

I'm from Montana and I'm having trouble seeing it in Alluvium. It's like a metallic cylinder how?

by TJ on Jun 27, 2011 4:19 pm  (link)

I don't want to sound cold, but the Lulemon storefront doesn't really strike me so much as public art or a memorial, but rather as a facade improvement to make the store more attractive, eye catching, and divert peoples minds from being creeped out that somebody was killed there. I expect that it will increase sales. Whether they did it with the expectation that it would increase sales is open for debate, but sometimes tragedy sells.

by spookiness on Jun 27, 2011 4:52 pm  (link)

Alluvium's narrative about the power of nature says nothing about the history or culture of White Flint as a community, nor does it provide an opportunity to create a new history or culture in White Flint.

White Flint is a mall. It doesn't have a "community." Not only that, but public art really isn't a "community" issue, given that relatively few people in any given community are involved in or connected to the arts. In public art, people want something pretty that physically integrates well to the surrounding environment.

It's best to commission and decommission art over time and see what works and what doesn't. There's no reason to turn every single piece of outdoor art into an extended committee discussion of "whether this truly represents the community."

by JustMe on Jun 27, 2011 5:05 pm  (link)

When I think of community-appropriate public art, I think of the "Ode to PowerPoint*" sculpture in Rosslyn on the corner of Wilson, Nash, and Oak Streets. It perfectly matches the area's Dilbert-minded bureaucratic drones.

*Its real name is Cupid's Garden

by Smoke_Jaguar4 on Jun 27, 2011 8:13 pm  (link)

Dan, I think you're onto something with "community" based art but I disagree with how you've included ephemeral memorial displays in this category. There's a mess of literature available on memorial displays -- from roadside crosses to the Oklahoma City bombing site to Ground Zero -- and I think the interesting thing you've hit on with the Tai Lam brick is how these ephemeral displays are transformed into permanent memorials.

Official vs. "community" or "folk" art is a fertile field for exploration in Montgomery County. This is especially true with, as you've pointed out, planning officials allowing developers to place what some consider art as public amenities as mitigation for adding density or creating other externalities stemming from optional development review.

by David on Jun 28, 2011 6:28 am  (link)

Dan, I think you missed an excellent example of public art that is reflective of the community within which it resides: the painted aluminum piece that is in the lobby of the new Silver Spring Civic Center. The "woven" panels -- evocative of flags -- are meant to evoke the texture of the different communities and cultures coming together in Silver Spring. I believe the work is done by local artist, Francie Hester.

by Pat Burda on Jun 28, 2011 6:27 pm  (link)

I agree with this article 100 percent. Actually I specifically searched for something on the greatergreaterwashington.org website to see if someone had already written about the lack of true public art in our public places around the d.c. area. Instead of real art we get all these imposing, oppressively massive monuments that stare down at everyone walking by (in their business suits!) agh! it makes the whole city feel...so /serious/. Instead we need more whimsy. we need more art.

I'm writing because I have a question for you, Dan, or anyone else on here who might know:

In the very last paragraph, when you write:

"Those who commission, pay for and create an artwork should..."

Who are those people? What I mean is: to whom would I go with an idea that I have for (badly, badly) needed artwork around the crystal city metro area?

Please tweet me @neverlanding or / email me --> scottcw18@gmail.com!

thanks!

by Scott Westenberger on Sep 5, 2011 7:50 pm  (link)

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