Transit
Lights brighten mezzanine at Judiciary Sq
On November 24, Metro announced that they were testing new lighting at Judiciary Square's F Street Entrance.
These new lights brighten the mezzanine, which is particularly dim. If the lights are successful, Metro will likely expand the format to other stations.
Metro's original designer, Harry Weese, indended for the Brutalist vaults to remain blank, lit entirely by indirect lighting. However, over the years, Metro has added accoutrement to the vaults, from station signs to security cameras. In most stations, supplemental lighting was added in mezzanines, which tend to be in perpetual shadow.
The new test lighting strikes a medium between the extremes. It adds lots of light to the mezzanines, while still providing light to the vault. At the same time, the fixtures' design limits the encroachment of the light supports on the vault.
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The hanging lights seem OK, as the supports are minimal and the light is still mostly indirect, hitting the roof first. The ones bolted on directly to the vaults (closer to the escalators) don't look so good in the pictures, however.
I'd also be curious to see Metro experiment with different 'temperature' lighting. Those photos make it seem really cold and harsh, especially in contrast to the warmer, softer indirect lighting for the bulk of the train room.
by Alex B. on Nov 27, 2009 1:22 pm • link • report
Considering these photos haven't been calibrated, I think its impossible to judge what the color temperature is like. However people rarely look up, so I think what the lights look like is a small point, especially when considering it brightens the station up.
by Joshua Davis on Nov 27, 2009 1:49 pm • link • report
Another case study is the lighting beneath the mezzanine at Foggy Bottom, where they replaced all the fixtures with some colder, blue-ish lighting (I think they're LEDs) that's much brighter than what was there before. They've also got a very cold light:
http://www.flickr.com/photos/dcmetroblogger/851481290/
by Alex B. on Nov 27, 2009 1:58 pm • link • report
If whitened, advertisements could be projected onto them.
Do people prefer the platforms on the edges or the island style of station?
by shy on Nov 27, 2009 3:09 pm • link • report
by eriks on Nov 27, 2009 3:15 pm • link • report
They are a little too strong right in the center. Metro doesn't need to be lit like an office; it's okay to have some drama. Similarly, their straight shape contrasts with the curves of the mezzanine in an inelegant way. Keep trying Metro, but don't screw up the metro like they ruined the Subway in the 60s.
by Neil Flanagan on Nov 27, 2009 3:46 pm • link • report
I grew up in the Midwest, where it was common knowledge that you shouldn't buy an all-white or an all-black car, because they'll both look like crap with the snow, dirt, and road salt that accumulates during the winter. Same principle applies here - the look of raw concrete still look good even if it's dirty. Not so with paint.
Besides, with the undulations of Metro's coffered arches, I don't think you'd have much luck projecting advertisements.
by Alex B. on Nov 27, 2009 3:58 pm • link • report
by J on Nov 27, 2009 5:46 pm • link • report
by spookiness on Nov 27, 2009 6:10 pm • link • report
/Extract tongue from cheek.
by Michael Perkins on Nov 27, 2009 11:18 pm • link • report
And "Brutalism" comes from the French, beton brut, or raw concrete. Paint is the antithesis to Brutalism.
Of course, we shouldn't hang on to tradition just because it's tradition, but in this case, let's keep the paint in the cans.
by Matt Johnson on Nov 28, 2009 11:03 am • link • report
by Squalish on Nov 28, 2009 12:18 pm • link • report
by MB on Nov 28, 2009 4:55 pm • link • report
by Alex B. on Nov 28, 2009 5:42 pm • link • report
by Paul on Nov 28, 2009 5:54 pm • link • report
All that to say, "Good job WMATA, please green light the installation of these lights in the rest of the system for those of us with normal human vision requiring illumination to function."
by Matt on Nov 28, 2009 8:20 pm • link • report
Another more expensive idea I had, places florescent or neon tubes above the perimeter of the coffer acoustical panels just outside of direct view. The light would reflect off the sides of the coffers illuminating the areas below. All of the coffers with acoustical panels in the full length of the vault would be fitted with the florescent or neon fixtures. The major downside of this idea is getting the power to the fixtures.
Alex B and Pual pretty much nailed the reason why station are so dimly lit. Dirt and grime accumulating on the concrete surfaces and on the light fixture reflectors. Before train started rolling through the stations they were visibly brighter then they are today.
The primary reason why dirt and grime accumulates so easily to concrete surfaces is because they were sand blasted to remove the sheen left behind by the slick fiberglas and metal forms. The sand blasting roughened the surface of the concrete allowing dirt and grime to accumulate to the greater surface area. Power washing helps, but doesn't quite get all of the dirt and grime out of the roughened surface.
The 'painting' that was done to some of the stations appears to me to be some kind of portland cement based coating not paint as one would typically define it.
by Sand Box John on Nov 28, 2009 8:26 pm • link • report
I'm having a hard time visualizing what you're suggesting but any option that gets light in the places it's most needed is really fine with me! As for the dirt and grime, you're all totally correct but there is one more facet to that--replacing dead bulbs! Some stations will have entire banks of dead (or dying) bulbs... but in some stations (like most recently Dupont, Georgia Ave, and Columbia Heights) where they have done an entire "lighting overhaul" the stations now look great with the existing lighting... the problem is that Metro just doesn't do a good job of cleaning or changing out bulbs when needed. I also think in older stations they were putting in a lower watt bulb... the stations that have seen replacements of the bulbs seem to have much brighter bulbs in the fixtures!
On the painted look, I must say as unpopular an opinion as it is, I kind of like the painted look (as I've seen it in the Archives-Navy Mem'l station)... yes it might get dirty and show worse, but it sure looks really nice in places where it doesn't get as dirty (like the top of the vault dome). I almost think that the bare concrete looks worse dirty than the painted... I mean look at stations like Mt. Vernon Square, which have extensive rust and grime patterns on the wall from dripping water. Or stations like many of those on the red line route to Shady Grove which have plant life growing in the lighting vaults! I didn't think plants could grow in such conditions, and chances are, they didn't spring up there over night. Clearly Metro isn't doing a good job of cleaning up stations.
One thing that bugs me about Metro is their habitual pattern of "experimenting"--rather than just pick something and go with it, Metro is bent on testing things in one or two stations. The problem is, they never fully implement the tested idea! We've seen LED light testing in rail car 3146 that's never since been seen in any other car. We have new flooring and wool seat covers in a few cars running up and down the green line that have NEVER been put in any other car since. We had the new LED lighting put in quite some time ago in the Foggy Bottom station that has (pardon the pun) never seen the light of day in any other station, and finally we have new (and improved) lighted signage in Gallery Place that has yet to be added to any other station where it would be highly useful! What is it with these people and experiments that never go anywhere or become standard?! Just a personal rant if you will....
by Matt on Nov 28, 2009 8:43 pm • link • report
The vertical bars that support the fixture in the picture below are hung from the second reveal (linear seam between coffers) from the reveal along the center line of the vault. The second reveal is roughly 9 degrees of arc from a vertical line at the center line of the station vault. The third reveal is roughly 15 degrees of arc from that same vertical line.
Look closely at the image, you will notice that the two coffers on either side of the center line are better lit then the fourth coffer from the center line. That's because the fixture is aimed straight up. Tilt the fixtures outwards and the fourth coffers would be lit almost equally compared to two coffers on either side of the center line. Move the fixture outwards one reveal, lower it and tilt it to 15 degrees and the fixture will light six coffers instead of four.
This is how I would mount a florescent or neon tube behind the acoustical panels.
The acoustical panel/light fixture would be a single plug in unit to allow easy removal for cleaning and or tube replacement.
by Sand Box John on Nov 29, 2009 12:51 am • link • report
Can you point to any serious safety problems caused not by poor maintenance, but by poor lighting. I find certain stations uncomfortably dark - but that's still an aesthetic concern. Some of the worst aesthetic damage in this city has been done with a call of "Let's fix it now!!!! Solve the problem fast!" No, Metro should take the time to study an effective, economical, and beautiful solution to the problem.
With aesthetics, it's always fashionable to pooh-pooh aesthetics - but when people talk about the je ne sais quoi of streetcars as an advantage over BRT or whatever, that is fundamentally an aesthetic argument. You can say it's irrational, but people do value the way things look and feel. Why else do you think the nastiest arguments on this blog are about architecture?
by Neil Flanagan on Nov 29, 2009 1:18 am • link • report
There seem to be three features that make a difference: curvature, waffling, and concrete type. The stations where metro used poured-in-place concrete are definitely the darkest. At station that used precast concrete, the contractors were able to use whiter concrete that significantly helps. Station with the full waffle tend to be poured-in-place, but they also ten to have the big thick coffers that catch light and splash it down onto the tracks. Stations that are smoother have less architectural content, but are appreciably lighter. Finally, the curvature seems to matter. Stations that are wider seem too be darker, while stations that are taller seem to let more light onto the platform, especially when trains have moved in. For a total comparison of the two, look at Clarendon versus Cleveland Park. Worlds of difference.
by Neil Flanagan on Nov 29, 2009 1:31 am • link • report
SandBox: That's an interesting concept that I've actually doodled out on paper myself... but I wonder if it's the most effective considering all the work that would have to be done to get lighting up there (running power and all that). I still think that just finding smaller lighting units, and re-positioning them in the right places would be the best solution. There are lighting fixtures out there that are intentionally designed to scatter light and give the appearance of being indirect--which is what's needed in that center area--as I do agree that those hanging lights do shine a bit too much light on the ceiling and not enough on the floor.
by Matt on Nov 29, 2009 9:33 am • link • report
Running power to the coffers is the biggest issue as there is a matrix of rebar, #18 radially and #9 linearly, roughly 2" behind the surface of the concrete. It wouldn't be a cheap job to do, but think it could be done as the rebar was very accurately placed. All of the structural plans of stations had detailed drawing that show the rebar layout.
Getting the power to the coffers in the stations north of Farragut North and in Rosslyn would not be an issue as the top and sides of the vaults in those stations are accessible.
Dupont Circle looking north after the completion of the installation of the 284 precats concrete arch vault units. End of arch in the foreground is at the south end of the platform.
WMATA photo by Paul Myatt
P.S. I have been up there.
by Sand Box John on Nov 29, 2009 11:03 am • link • report
by wd on Nov 30, 2009 7:54 am • link • report
by Matt on Nov 30, 2009 8:30 am • link • report
by staypuftman on Nov 30, 2009 10:00 am • link • report
The introduction of new bright lighting is likely to cause problems, though. Visibility is a function of light levels but is also affected by contrast and the eye's ability to adjust quickly as it moves from bright to dim. The new grossly bright surfaces will make the more subtle indirectly lit areas seem darker, and probably lead to an unnecessary and unattractive new lighting scheme that is will undoubtedly diminish the specialness and the grandeur of the station design and -- along with the illuminated billboards and the ads on the side of the trains -- bring the stations closer to being another generic McSubway.
by Ron Eichner on Nov 30, 2009 11:35 am • link • report
Washington...the city of keeping things the way they've always been for the sake of certainty...
by Matt on Dec 2, 2009 8:38 am • link • report
I don't see the connection to New York. So it's vastly bigger... which does not, and has never been hindered by aesthetics - in fact, the periods of most growth were also some of the finest for station architecture.
Do you want your home to be lit like an office? The streets? The Metro? Perhaps you do, but I suggest you get used to other people having different values.
And is there really a problem with the darkness, other than an aesthetic one? Prove that people are stumbling around and killing themselves because of the darkness.
by Neil Flanagan on Dec 2, 2009 9:40 am • link • report
by Larry Martin on Dec 4, 2009 5:51 pm • link • report
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