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History


Then & Now: Anacostia's Saint Teresa

As songs of praise emanate from numerous houses of worship in Anacostia each Sunday morning, one church stands out as a part of living history. It has experienced reorganization, schisms, and change, but it still faithfully anchors the same corner as it did more than 130 years ago.


Saint Teresa of Avila in Anacostia. Photo from the Library of Congress.

Saint Teresa of Avilla Avila, at the northwest corner of 13th and V streets SE, is the oldest Roman Catholic Church in DC east of the Anacostia River. It was originally part of the Archdiocese of Baltimore, because the Vatican did not make the City of Washington a separate archdiocese until 1939. St. Teresa, in fact, is older than the Archdiocese of Washington by more than a half century.

The new church was greeted with great enthusiasm even before it was finished being built. An April 1879 Washington Post article describing the laying of its cornerstone also reports of a celebratory parade, saying:

The route was determined on as follows: from City hall, down Four-and-a-half street to Pennsylvania avenue, thence to St. Peter's church, where the visiting clergy and others will join the procession, thence across the navy yard bridge to Uniontown. With regard to the formation of the line, it is thought that it will be the same on St. Patrick's day, except that there will be five divisions instead of four, the colored societies making the fifth.
When Saint Teresa opened its doors in the fall of 1879 Uniontown had a hotel, post office, police substation with mounted patrols while Henry A. Griswold's single-horse streetcar ran every 20 minutes. Frederick Douglass, the United States Marshal for the city lived just down the street.

According to The Anacostia Story. by the turn of the 20th century black parishioners were dissatisfied with the limited role they were permitted; African Americans were relegated to celebrate Mass in the church basement.

In response a group under the name "Mission of St. Teresa" organized to establish a separate church and parish for African American Catholics. Others changed their affiliation and went crosstown to Saint Augustine, the city's mother church for black Catholics since 1858, four years before the city's emancipation.

By 1920 ground was dug, dirt was moved, cement was turned and cornerstone laid for Our Lady of Perpetual Help Church on Morris Road SE, on the grounds of Fort Stanton.

According to Cultural Tourism DC, this was the second formal division of St. Teresa's. The first occurred when white parishioners left to establish Assumption Catholic Church in what had been the village hall for Congress Heights at 611 Alabama Avenue SE on April 2, 1916.


Saint Teresa today. Photo by the author.

As the neighborhood's demographics began to change in the 1960s and the neighborhood became increasingly African American, the congregation of Saint Teresa changed as well. In 1976 Saint Teresa received its first African-American pastor. On a recent visit, with the exception of some college students, the overwhelming majority of worshipers are African American.

Today, Saint Teresa is one of more than a dozen historic churches in greater Anacostia still going strong, an important and familiar neighbor for parts of three centuries.

Excerpts from this post originally appeared in a 2010 article for East of the River.

History


Lost Washington: Church of the Covenant

Churches are one of the biggest challenges for historic preservation. They are such unique structures and so poorly suited to be anything but what they are. What happens when a congregation outgrows its building and wants to move on?


Church of the Covenant. Photo by Jack Rottier used with permission.

In some cases, old churches downtown have been preserved because they were taken over by other religious groups. Several downtown landmarks have survived that way. The Washington Hebrew Synagogue was built in 1898 near 8th and I Streets NW and became the Greater New Hope Baptist Church in 1955.

The Adas Israel Synagogue, built in 1907 at 6th and I, was turned over to the Turner Memorial African Methodist Episcopal Church in 1951 before being converted back to a synagogue in 2004. However, such reuse doesn't always pan out.

One of the city's greatest losses in historic religious structures was the old National Presbyterian Church, originally called the Church of the Covenant, which used to rise from the southeast corner of Connecticut Avenue and N Street NW. The building, which James M. Goode has called a "dignified masterpiece in gray granite," was completed in 1889 and torn down in 1966, to be replaced by a nondescript office building.

The church was designed by New York architect J.Cleveland Cady (1837-1919), a devout Presbyterian who is best known for designing part of the American Museum of Natural History in New York City.

For this building, Cady adopted the Romanesque Revival style popular in the late Victorian era, replete with heavy rounded arches and rough-cut stone facing. H. H. Richardson's celebrated Allegheny County Courthouse had just been completed in Pittsburgh in 1886, and it clearly influenced both this building and W.J. Edbrooke's grand Post Office Department building on Pennsylvania Avenue, another great DC landmark in this style.

In the early 1880s, members of the New York Avenue Presbyterian Church near the White House had decided they needed to reach out to the far northwest part of the city (i.e., around Dupont Circle) to keep up with the wealthy "top hats" that increasingly were moving out to that wealthy suburb. They founded the Church of the Covenant in 1883 and built a small chapel on N Street in 1884.

Construction of the main church began in 1887 and was nearly complete when the 158-foot Ohio-sandstone tower suddenly collapsed into a heap of rubble early on the morning of August 22, 1888. Cady's Washington representative, Robert I. Fleming, had been on hand the day before to inspect construction progress and realized the tower was in jeopardy when a large crack appeared in one wall.

Fleming ordered the site watchman, Thomas Neal, to keep people away for their own safety. Neal told the Washington Critic that he heard cracking sounds coming from the tower at regular intervals beginning around 10 o'clock that night. A policeman making his rounds around 4:30 the next morning noticed the strange noises and was about to go inside to investigate when Neal warned him away just before the whole thing fell to the ground.

The Washington Post reported that "The crash and falling stones was like a peal of thunder, and before it ceased a cloud of white dust rose from the ruins, completely enveloping the building and hiding it from the view of the two startled spectators. Long before the air became clear the whole neighborhood was aroused. Windows were thrown open and scantily-clad figures ran from the houses, under the impression that there had been an earthquake."


The collapsed tower. Photo courtesy of the Archives of the National Presbyterian Church.

What caused the collapse? Fingers were pointed in all directions. "It was the fault of the contractor; it was the fault of the architect; it was the fault of the trustees, of the material, of the mortar, of everything and of nothing," the Post reported with exasperation.

An official investigation soon concluded that the basic design was sound but that inferior materials and workmanship were to blame for the accident. The mortar, in particular, was found to be "practically worthless." The architect, contractors, and Church congregation agreed to divide the cost of reconstruction equally, and a new and very solid tower was soon standing.

The finished church was an exquisite homage to its Byzantine as well as Romanesque forbears. The squarish interior spaces were defined by sweeping vaults with elaborate plasterwork ceiling decoration. The central nave was crowned by a massive square "lantern" with clerestory windows allowing light to shine in from the heavens. On three sides, stained glass windows made by the New York firm of Tiffany and Booth illustrated the life of Christ.

Finally, in the center was a grand, gas-powered brass chandelier, 15 feet wide, that was paid for with monies donated by the children of the church's Sunday school classes. The impressive Byzantine-style chandelier was made in Philadelphia and inspired by a similar fixture in the Hagia Sophia in Constantinople. It contributed to the church's reputation as the "Hagia Sophia of Washington."


Postcard view of the interior from a photo by Jack Rottier. Used with permission.

The new church prospered and grew, especially after it absorbed the congregation of the historic First Presbyterian Church, which was located on John Marshall Place near the old DC Courthouse. The city government used eminent domain to seize that property in 1930 to provide space for a municipal complex. The Connecticut Avenue church was renamed the Covenant-First Presbyterian Church to recognize the merger of the two congregations.

Already by that time, a sense had been developing among at least some of the church's leaders that the building on Connecticut Avenue was not enough. Other faiths had national churches in Washington, and some Presbyterians wanted a national church as wellsomething with sufficient accommodations to serve as a national center.

But the sentiment was not unanimous. After all, as David R. Bains has pointed out, an essential tenet of Presbyterianism is the equality of ministers, elders, and congregations. The idea of one particular congregation having a special status as the national church went against the grain. Yet the desire for a national church persisted.

In the 1927 a design was prepared for a sprawling Spanish Gothic-style church complex to be built in Woodley Park, on a site acquired from developer Harry Wardman for $100,000. The ensuing stock market crash put an end to that idea, and the property was sold back to Wardman; the Shoreham Hotel stands there today.

Despite this false start, plans for a national church continued to advance. A major step occurred in October 1947 with a ceremony attended by President Harry Truman marking the official establishment of the Connecticut Avenue church as the National Presbyterian Church. After the unveiling of a plaque on the front of the church, Truman and his family were seated inside in the Presidential pew, which had been taken from the old First Presbyterian Church and had previously seated Presidents Jackson, Polk, Pierce, Buchanan, and Cleveland. Later President Eisenhower would attend this church as well, although he chose not to sit in the traditional Presidential pew, according to a 1953 article in The Washington Post, because it had an obstructed view.

Meanwhile, the quest for a larger church complex went on. A proposal was made in 1954 to construct a church building across N Street on a lot then being used by the church for parking, with an underground tunnel to connect the new building to the old church. However, this plan didn't include adequate parking and was ultimately found to be too costly, so the search for a new location continued.

A site at Massachusetts and New Mexico Avenues NWthe former estate of banker Charles C. Glover, Sr.was purchased in 1959, and a preliminary design was developed by architect Edward Durrell Stone (1902-1978) for a grand, $20 million, modernist church complex there. This time church officials cringed at the expensive, cathedral-like pretensions of the Stone design, and it was dropped in favor of a more modest plan by Philadelphia ecclesiastical architect Harold E. Wagoner.

In August 1963, church officials announced that they had signed a contract to sell the old church building on Connecticut Avenue for $2.6 million to a developer who planned to raze it and put up a much-more-profitable 10-story office building in its place. It didn't take long for protests to develop. In October, the chair of the National Capital Planning Commission, Elizabeth Rowe, was reported in the Post as expressing grave concerns about tearing down the church, which she called "a landmark of the highest significance, both historically and architecturally."

This prompted the Post's architecture critic, Wolf Von Eckardt, to bemoan the fact that no one seemed willing to do something to stop the loss of the landmark building, which represented for him the only structure of distinction still left on Connecticut Avenue. "No office slab could possibly adorn that multiple intersection as well as that cheerful exclamation mark of a tower, nor give it as much poetry as that well-shaped rough stone heap."

In his rambling article, Von Eckardt claimed that other churches had been shut out of bidding on the building for their own use. He quoted the church's pastor as saying "No other denomination may use a Presbyterian building!" (According to J. Theodore Anderson, the church in fact tried to identify other congregations that might want the building but could find none.)

After dismissing the historic preservationists of his day as "mainly a movement of noble and hopeless protest," Von Eckardt presciently summed up the issues at stake, then as now: "Obviously, sentiment is not enough. Not all old buildings are worth preserving. And not all buildings worth preserving can realistically be preserved. But greater efforts must be made. At stake are not only the landmarks themselves, but the city and not only the image and appearance of the city, but urban economics as well."

The fight was on, and it continued for three more years. Robert R. Garvey, Jr., head of the National Trust for Historic Preservation, called the planned demolition a "catastrophe," though he recognized that, with no historic preservation laws yet on the books, he had little power to stop it. The Association for the Preservation of the 1700 Block of N Street was organized and staged a number of protests.

Feeling the pressure, Presbyterian Church leaders called a press conference in 1964 to explain why they needed to proceed with their plans: they had been working on the move for many years, the old church was inadequate for their needs, and the sale of the old property was essential to help fund the new complex.

The preservationists were unmoved. The property had been rezoned to allow for construction of the planned 10-story office building, so the N Street group and others sued to overturn the rezoning. However, the court sided with the church.


The great chandelier downed and ready for removal. Photo from the Historic American Buildings Survey.

With no viable options left, in July 1966 the building came down. Workmen first removed the Tiffany stained glass windows, the historic pews that Presidents had sat in, and the great chandelier paid for by the Sunday school children.

The Postreported that on one day passersby were sent scurrying by a wall that tumbled down unexpectedly during the demolition. This was a brick wall in an adjoining structure, not the solid granite walls of the church itself. In fact, according to J. Theodore Anderson, the church's iconic tower, which had been so poorly constructed the first time around, proved particularly obstinate when the wreckers attacked it 78 years later.


Demolition underway in 1966. Photo from the Historic American Buildings Survey.

Out on Massachusetts Avenue, the ground had been found unsuitable for the planned church complex, and a new site, at 4123 Nebraska Avenue NWthe former Hillcrest Children's Centerwas obtained in January 1966.

The following year construction began on a modernist limestone church and center, with slim Gothic-inspired arched windows. Buildings formerly used by the children's center were also renovated for use as part of the church complex. The new church had its first services in September 1969.


Left: Before demolition. Photo from the Historic American Buildings Survey.
Right: The same view today. Photo by the author.

Meanwhile, back on Connecticut Avenue, a bland 1960's office box was indeed erected on the site of the Church of the Covenant, although it was only 8 stories instead of 10. In 2007, that building was stripped down to its concrete frame and re-sheathed in contemporary tinted glass.

Special thanks to J. Theodore Anderson, Director of the National Presbyterian Church Library and Archives for his invaluable assistance. Other sources included David R. Bains, "A Capital Presence: The Presbyterian Quest for a 'National Church' in Washington, D.C." (2006); James M. Goode, Capital Losses (2003); Albert Joseph McCartney, "The National Presbyterian Church and Its Heritage in Washington" in Records of the Columbia Historical Society, Vol. 60/62 (1962); The National Presbyterian Church, The National Presbyterian Church: The First 200 Years 1795-1995; and numerous newspaper articles.

Cross-posted at Streets Of Washington.

History


Church Street church could rise from 1970 ashes

The St. Thomas Episcopal Church at 18th and Church Streets, NW hopes to build a new church on its property, which was destroyed by arson in 1970. The property is currently a park.


Photos of the original church. From St. Thomas.

The church was burned on August 24, 1970 and, according to a presentation from St. Thomas, the shell later ordered razed.


Left: The church after the arson. Photo from St. Thomas.
Right: The property today. Photo by joseph a on Flickr.

After the fire, St. Thomas's attendance declined by half. But the remaining members kept the congregation alive, and especially with their openness to gays and lesbians, grew substantially in the 1990s. In 2005, the growing congregation began exploring the possibility of rebuilding the church.

In 2008, they selected parishioner and Swiss-educated architect Matthew Jarvis. Jarvis studied under Swiss architect Peter Zumthor before moving here and working for David Jameson Architects, where he worked on many glassy and rectangular buildings.

Jarvis cites the Dutch Glaspaleis as inspiration for this project, which he says "has long outlived its then young author, 36-year old Architect Frits Peutz.

Tonight, St. Thomas will present a design for a new church to the community at the Dupont Circle ANC meeting.


Images from St. Thomas.

Jarvis says,

The design of the building embddies the vision of St. Thomas over many decades. It is a jewel box, in the sense that it is a place to keep things safe. We will express this idea in its truest sense: by a wall that wraps around you; by a strong roof that covers you; by a large glass window that, like a tent opening, says, "this is shelter." It is a place to come in out of the rain.
I live very near this place, and therefore I'm going to withhold any aesthetic opinions until I hear from you. While the park is a nice amenity, it's not public property. The congregation once had a church on this site, and they should be able to have one again. What about the design? What do you think?

After you answer the poll, share in the comments what in particular you like/dislike about the design. I'll pass the feedback on to the architect at the ANC meeting tonight.

Development


Transforming a suburban church into a neighborhood

Could developing large parking lots help suburban churches fund improvements? Grenfell Architecture designed this plan to help a parish create a more beautiful church using solid New Urbanist principles and traditional Virginia architecture.

The church occupies typically sprawling suburban lot, surrounded by seas of asphalt and low-rise buildings. However, while I was working at Grenfell Architecture, we tried to look at the project in a radical way. We came up with a plan to fix the disorganized sprawl of parking lots and low-rise buildings to create a new neighborhood and to truly make this church the center of a community.

The primary focus was to design a new church that better reflected the liturgical reforms of the past few years within the Catholic church. Since many parishes have only limited resources, we explored how a phased development could help turn this parish from asphalt-dominated auto-centric sprawl into to a walkable mixed-use neighborhood.

Both parishioners and priests alike have given this plan almost universally positive reviews. The pastor of this church has seen the plans and is amenable to the idea, but it does not represent any actual plans to construct this project.

1. This is the current site condition. The area is disorganized and chaotic, dominated by parking. There is little in terms of good outdoor space, and the buildings do not create any ensemble in any way.

2. The first step is to create a system of streets. This begins to organize the area into a block structure. The streets are designed for on-street parking, amazingly providing an equal number of parking spots diffused about the site.

Note too that the connections allow for this neighborhood to become a center for adjoining neighborhoods.

3. Now that there's enough parking, the large parking lot facing the street can become a row of commercial shops with apartments above. The corner would be anchored by a neighborhood-size grocery store, and other small shops such as florists, coffee shops, or service businesses could occupy the rest. The apartments above see their first residents in anywhere from 10 to 20 apartments. These apartments would be ideal for elderly or younger couples who might not be able to afford larger homes.

4. The first set of 20 townhouses are built upon empty parking lots. Alleys behind the townhouses provide access to one- or two-car garages. These are geared towards families with children who might attend the local school.

5. After selling or leasing properties, the parish would now be able to afford to build a new three-story school. The school would contain the same area for classes, but having a taller profile provides a more compact footprint.

Up to this point, the only demolition that has occurred was to remove parking lots. Already the campus has been improved tremendously.

6. Now having built a new school, the old school could come down, allowing for the construction of 28 new townhouses and another small section of commercial storefronts and apartments. The townhouses each feature the same rear-facing garages and small yards behind.

7. Now the school could complete the reconstruction with a rear wing containing a gymnasium. This would create a pleasant interior courtyard. The courtyard also allows for light to reach all classrooms of the school.

8. Having completed all of the residential components, the parish could now use the funding from the residential sales and commercial rents to help build a new church. The new church here might incorporate a small historic chapel as part of the complex of the church, sacristy and rectory for the parish. The existing rectory would be removed, but the pastor could reside in an apartment or one of the townhomes while the new rectory is being built.

9. Now that the parish has a new church and chapel, the old church is demolished to complete the plan. A new set of storefront buildings would create an orderly town square. Stores, coffee shops, and both school and church functions on the green would activate the square.

Between this commercial block a parking lot would be created to serve the commercial as well as the apartments built above. Using the topography, a parking structure could also be built behind, doubling the parking.

However, since this neighborhood center would be home to almost 75 families, the community would hopefully not need so much parking. The families would be close to school, church and shopping, as well as possibly work. A local bus line could running to Metro along the main road. would encourage less auto use by residents.

Having the church as the center of the community makes it not just a place where people go on Sundays, but a visible and active part of their lives, giving residents something shared that brings them together as a real community. This principle is easily applied to followers of any faith, allowing for their own faith to be shared by their neighbors, and to provide visible witness to neighbors as well.

Photography


Scenes of Washington: Churches


St. Matthew's, 3rd & M, SW


Wesley A.M.E., 14th & Q, NW


St. Matthew's, 17th & Rhode Island, NW


United Methodist, Rosslyn


Scripture Cathedral, 9th & O, NW


St. Martin's, North Capitol & T


National Shrine


New York Avenue Presbyterian

Architecture


How the other half worships: Storefront churches at NBM

Typically, when one thinks of a house of worship one thinks of grand sacred spaces with magnificent spires, stained glass windows, and an established decorum that creates a sense of awe. As communities change from rich to poor or from white to black, the buildings and spaces used for worship also change. A phenomenon that photographer Camilo José Vergara has captured and is now on display at the National Building Museum until November 29th.


Storefront church in Petworth. Photo by Lynda Laughlin.
In the early 1970s, Vergara began taking documenting the built environment of poor, minority urban communities across the United States. He noticed churches were a prevalent feature of the urban landscape and complied a number of photos to document how the poor in American approach religion and the evolution of spaces of worship.

Vergara explains that in his work he has encountered four main types of house of worship in poor communities:

  1. Traditional house of worships. These places of worship are architecturally attractive and awe inspiring buildings, but as whites left the city for suburban communities, these traditional houses of worship were adopted by new congregations typically made up of Blacks or Hispanics.

  2. Storefront churches. A storefront church is typically housed in buildings that formerly housed stores. They tend to be poor, temporary, and typically have a very small congregation that consists mostly of the minister's family and close friends. Vergara found that storefront churches are ubiquitous in poor urban communities and are perceived as a sign of economic decline.

    Vergara explains that planners and community members dislike seeing former stores turned into churches because they don't have to pay taxes and don't bring vitality to distresses urban streets. However, pastors and their congregations see storefront churches as a way to serve the immediate neighborhood. A pastor of a storefront church in Newark explains, "a storefront church is normally a church that is just beginning. Historically they were places where migrants from the South could gather together and form minifamilies. Storefront means everybody know everybody. It also means struggling."

    The majority of the exhibit at the National Building Museum focuses on storefront churches. Vergara captures the images of storefront churches in Philadelphia, Detroit, Newark, Los Angeles, and New York. Storefront buildings include banks, an appliance warehouse, a furniture store, a fast-food franchise, a movie theater, a car dealership, homes, and garages. The District was not represented in Vegara's work, but storefront churches are abundant in poorer communities across DC.

  3. Megachurches. This type of house of worship is less common in urban neighborhoods and tend to draw members who are not from the immediate community. Megachurches often lack steeples or soaring towers. Instead they look like corporate offices and do little to enhance the appearance of the surrounding community.

  4. Newly constructed churches built for medium-size congregations. These churches are usually built over a period of time as funds become available. They often lack coordinated building plans and produce architecturally interesting, but not always attractive, buildings.

Vergara's photographs of inner city churches, their members, and their leaders, provides a rare glimpse into role of religion in America, poverty, and the ever changing American city.

The National Building Museum is located at 401 F Street NW at the Judiciary Square Metro. Admission is free. Hours: Mon - Sat 10 am - 5 pm, Sun 11 am - 5 pm.

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