Posts about Sidewalk Cafes
Public Spaces
Walk-up windows are good urbanism
A macaron shop looking to open in a small space in Georgetown is proposing to sell their sweets from an open window facing the sidewalk, rather than from an interior register. Customers wouldn't actually go inside the shop, they'd merely stop outside it, and order through a large window.
Hopefully the store will be approved, because walk-up windows are great urbanism. How so?
- They provide additional "eyes on the street," which deters crime.
- They provide passing-by pedestrians with something interesting to look at, which makes the street more pedestrian friendly. Visual diversity is an important consideration in walkability. If pedestrians feel bored, walks seem longer. If walks seem longer, people opt not to walk.
- They decrease the distance between destinations. Pedestrians want to walk the shortest possible distance to their destination. Giving shoppers the option of buying a product without going into a store decreases how far they have to walk.
More activity on the sidewalk is a good thing. We want it. Sidewalk activity is what makes for good cities.
To be fair, there are occasional places where adding a walk-up window would be troublesome. Especially narrow sidewalks that already have especially heavy pedestrian traffic, for example. A hypothetical walk-up window at the corner of Wisconsin and M Street might get in the way, and ultimately harm walkability by inconveniencing too many other people. That's a legitimate concern.
But 99.9% of the time, walk-up windows are great. The proposed walk-up macaron shop in Georgetown is way up Wisconsin Avenue, well north of the busiest area, on a stretch of sidewalk with plenty of room for existing shops to put out clothes racks and wicker furniture. It should be approved.
And hopefully there will be even more proposals in the future for these great features of urbanism.
Preservation
Washington's first sidewalk cafe
A modest, four-story storefront once stood near the corner of 14th Street and Pennsylvania Avenue NW overlooking Washington's first sidewalk café. From an illegal gambling parlor to a trendy 1960s discotheque, the building saw much in the way of what Washington had to offer for nighttime entertainment.
It began its colorful career in about 1872, although according to an assessment prepared by the Historic American Buildings Survey, its architect and exact date of construction are unknown. Its classic Italianate facade was of pressed brick with ornamental cast-iron window hoods and sills.

D. Loughran & Co. occupies the ground floor of 1347 Pennsylvania Avenue NW
(the white building) in this circa 1920 view (Source: Library of Congress
The building was on a stretch of E Street (between 13th and 14th Streets NW) that was once considered to be part of Pennsylvania Avenue and that was known since the mid-19th century as "Rum Row" for its drinking and gambling dens.
According to journalist George Rothwell Brown, the bottom floor was occupied by John Lawrence Kidwell's drugstore, and it had marble floors and interior woodwork of beautiful carved mahogany. Kidwell was known as the "Quinine King" for having supplied various pharmaceuticals to the Union Army during the Civil War.
Upstairs was the celebrated gambling house of George Parker, where the "best known faro bank in town" operated. "A Chinese restaurant now serves chop suey in the rooms which in the hectic past were dedicated to the Goddess of Fortune and which echoed to the whir of the roulette wheel and the click of dice," wrote Brown in The Washington Post in 1923. By 1887, a tobacconist by the name of Daniel Loughran had moved into the ground floor. He and his sons ran their business there until 1929.
Over the next ten years, an assortment of other commercial enterprises came and went, including offices of The New York World and the National Press Club and what Brown called "various drinking clubs." Then in 1939 Max Bassin opened his restaurant there.
Born in New York, Bassin had moved to D.C. as a child and attended Cardozo (Business) High School. He worked at the Treasury Department from 1933 until he decided to quit and start Bassin's Restaurant. He went in on it with his wife, Sarah, and her brother, Harry Zitelman. Bassin's was a rather ordinary lunchroom-style restaurant for many years, concentrating on selling corned-beef sandwiches for 25 cents and hot dogs for a dime. Then in 1949, Bassin decided to quit the business and devote his attention to real estate. He left the restaurant in the hands of his sister and Harry Zitelman.
Zitelman, who was the son of Russian immigrants and had grown up in Baltimore, capitalized on Bassin's prime location near the National and Warner theaters, various newspaper offices, the Willard Hotel, and the District Building. As time went on, Zitelman built Bassin's up until it was a well-known Washington institution. He expanded into the building on the corner, making Bassin's a sprawling complex that was frequented by both tourists and natives alike. And like all top-drawer restaurateurs, Harry Zitelman was a consummate showman. He didn't just work hard to promote Bassin's; he made sure everybody knew he was doing it.
As reported in The Washington Post, Harry Zitelman and Jean Moran of L'Espionage at 2900 M Street NW sought permission in early 1959 from the District's Board of Commissioners to set up sidewalk cafés. The request was not well-received. One concern was a 1934 law that banned consumption of alcoholic beverages on District sidewalks Opinions about the proposal touched on many other issues as well. The Post talked to Leonard Carmichael, secretary of the Smithsonian, who said he had "enjoyed looking at sidewalk cafes in Spain and Rome, but I'm not sure I would enjoy them in Washington." Why not? He apparently didn't say. Prominent socialite Gwendolyn Cafritz held that "Washington is just perfect the way it is. I don't think the tempo of Washington is suited to sidewalk cafes. Nobody would have time to sit in them."
These were just the opening salvos in the two-year struggle to bring sidewalk dining to Washington. While Moran seems to have dropped out of the fight, Zitelman kept pushing.
In late 1960, a ruling came down denying Zitelman's request on the grounds that alcoholic beverages couldn't be served on the sidewalk. Zitelman responded by asking for a permit to open his sidewalk eatery without the alcohol. At a March 1961 hearing before the Board of Commissioners, Zitelman presented a stylish, Parisian-looking sketch of how his proposed sidewalk café might look. But not all hearts and minds were won.
As reported in the Post on March 17, 1961, an assortment of D.C. government witnesses outlined a litany of perils that would befall the hapless citizenry if sidewalk cafés were allowed in the District. These hazards included the following: After all that, according to the Post, Chief Commissioner Walter N. Tobriner observed that he "couldn't understand how, with all the calamitous eventualities foreseen by city officialdom Europeans have been able to operate sidewalk cafes all these years." Concluding that "anything which would enhance the innocent enjoyment of Washington... should be allowed," Tobriner then ordered that regulations be drawn up that would allow sidewalk cafés while affording adequate safety.
Indeed, it became clear that city officials had overstepped in their opposition to the idea. The Post ran an editorial favoring it; Art Buchwald wrote a column making fun of the city's objections.
By the time a public hearing was held in June, most everybody was behind the idea, with rare exceptions, such as H.B. Niece, executive vice president of the Organized Bible Class Association. As the Post reported, Niece thought the cafés would encourage public drunkenness and panhandling and amounted to "a Castro grab of public property." His objections were overruled, as it were.
The Sidewalk At Bassin's opened with much fanfare in August 1961 and was an instant success. Zitelman found his overall business up 15 percent. Still, there were complaints that the café should serve "something beside malts," so Zitelman worked to get the alcoholic beverage ban lifted, which he achieved the following year. In 1962, Washington's second sidewalk café opened at Chez Francois on Connecticut Avenue NW. By 1963, some 20 different restaurants had joined in, and the sidewalk café had become an established part of D.C. culture.
The sidewalk café wasn't Zitelman's only innovation at the Bassin's complex. He also opened one of the city's first discotheques, called the Top O' the Walk Twist Room, in the former Atlas Club upstairs from the dining room in 1962. According to the Post, Zitelman got the idea after seeing Chubby Checker dancing the twist in New York.
The Post's arts commentator, John Pagones, visited in April 1962 and was very enthusiastic. "The Fred Astaire dancers give twist lessons every night but it seems like bringing politics into Washington. Those people can really twist. The supply seems bottomless."
Ranging about Bassin's, Pagones noted that in addition to the dining room and cafeteria, there was also a lounge where "Jerry White knocks the daylight out of a piano with his honky-tonk songs," as well as a "noisy, chummy rathskellar" in the basement called L'Escapade Room. These were Bassin's salad days, so to speak, and unfortunately there would not be many more of them.
Bassin's was picketed in the mid-1960s for its hiring practices. It was accused of keeping most African-American employees in the kitchen and using mostly whites for the "out front" positions, such as waiters and waitresses. Bassin's agreed to hire more equitably, but business began to decline anyway after the April 1968 riots.
In 1976, the restaurant was sold to a wealthy South Vietnamese family that had decided to move to Washington and get into an American type of business. Then, after only two years, the restaurant was gutted in a suspicious pre-dawn fire in October 1978.
The police arson squad told the Post that they were 75 percent sure that the fire was started by igniting a flammable fluid. However, by that time the building was already slated to be torn down to make way for a massive new hotel/office complex. Within a year, with the blessing of the Pennsylvania Avenue Development Corporation, the burned-out structure was razed. The J.W. Marriott Hotel now stands on the site.
Still, a few shards have survived of this venerable little building that witnessed so much of everyday Washington life. On 8th Street NW, just down from the other little commercial building we recently profiled, a few of the metal window hoods and sills from Bassin's are hung ghost-like over large vents at a Pepco substation. If they look a bit pathetic hung up that way, what's worse is that there's no sign telling where they came from.
Cross-posted at Streets Of Washington.
Bassin's is seen here in 1979, after it had been gutted by fire. The large building to the right is the Munsey Building. All these buildings (except for the National Theater, just visible on the far right) were torn down to make way for the J.W. Marriott hotel. (Source: Historic American Buildings Survey).
Retail
Knee-jerk liquor license opposition undercuts credibility
If a sidewalk cafe is open late at night but nobody is around to object, does it make a sound? And should the local ANC just fight the plan anyway on the assumption that someone must mind?
Lydia DePillis reports a particularly contentious liquor license debate from last week's Dupont Circle ANC meeting. P.J. Clarke's wants to open a sidewalk cafe at 16th and K, a corner that's very devoid of street-level activity despite heavy foot and car traffic along two major streets just blocks from the White House.
In most of the neighborhood, alcohol-serving establishments are subject to "voluntary agreements" (VAs) contracts negotiated between neighbors and/or the ANC and the establishments themselves. On 17th Street, for example, where there are many residents across the street from restaurants, the VAs require closing the outdoor areas at 11 pm on weekdays and midnight on weekends.
Commissioner Victor Wexler, whose district includes the area, and Commissioners Jack Jacobson and Will Stephens supported letting Clarke's get its liquor license without restrictions. However, Commissioners Ramon Estrada, Phil Carney, Bhavna Patel and Bob Meehan successfully pushed for a motion protesting the application until a VA can be negotiated. Mike Feldstein abstained and Mike Silverstein recused himself as he is a member of the ABC Board, which reviews VAs and liquor license applications.
VAs are a useful tool for neighborhoods to balance the needs of residents to sleep against the value of having thriving bars and restaurants for residents to patronize. I generally support the use of VAs. However, in this case, the ANC chose to push for a VA out of what seemed more like knee-jerk opposition than reasoned needs.
In particular, there are no residents on this corner and very few anywhere nearby. According to DePillis, Carney (whose district I live in) argued that the hotel patrons across the street need quiet too, but Will Stephens, whose district encompasses the commercial area on 18th Street between S and U, suggested that the hotel patrons might also want a place to eat and drink late at night after a late flight or a long day of meetings.
In fact, one adjacent hotel told Wexler that they actually have soundproof windows because of the existing volume of emergency vehicles on both 16th and K. No hotel asked the ANC to oppose the liquor license application.
The Dupont Current's Katie Pearce wrote recently (enormous PDF) about a shift on the ABC Board under new Chairman Charles Brodsky. Previously, the Board would acecpt and enforce virtually any VA. Now, it seems to be taking a skeptical view of all VAs.
Perhaps some VAs were too restrictive in the past. In some cases, small groups of residents pushed for strict restrictions and restaurant owners felt blackmailed into accepting them. However, many other VAs are entirely appropriate, as the law's one-size-fits-all rules allowing establishments to stay open until 3 am on weekends may be right for some areas but not for others.
When an ANC takes a knee-jerk position against a liquor license with no adjacent residents and no opposition from the adjacent hotels, it potentially weakens the case for VAs more broadly. The Dupont ANC would have more credibility with the ABC Board if it pushed for reasonable restrictions but restrained itself in other cases.
Even the Dupont Circle Conservancy, the neighborhood's historic preservation organization, supported the cafe, which will take up some of the green space along 16th. Some have argued that this green space is "historic," though the official description of the 16th Street Historic District doesn't list the green space as a contributing element. (Disclosure: I am a member of the Conservancy but did not vote on the resolution concerning this property as I had missed the initial presentation by the applicant.)
The Conservancy split the difference to some extent, supporting the cafe as long as it left a substantial green buffer and emphasizing that it didn't want this to set a precedent for every other establishment adjacent to 16th to get a cafe. (Personally, I wouldn't mind if other cafes appeared as well.)
As I wrote in the past, the Conservancy has generally eschewed the "allow no change" view of preservation and instead diligently differentiated between what is estimably historic as opposed to just long-standing. Of course, there's always plenty of room for debate about where to draw that line.
The more neighborhood organizations try to truly balance the issues at hand instead of being absolutist for or against anything, the more effective they are. Just look at the ARTS Overlay committee of ANC 2F, which spent months researching the zoning issues along 14th and U Streets and produced an excellent report which has gained substantial acceptance from the Office of Planning and Zoning Commission.
That's a model other groups should emulate. Instead, Dupont's ANC took a small step backward for VAs everywhere and neighborhood group credibility with their fierce defense of nobody at all.
Public Spaces
Al fresco dining and parks vs. gangs in Columbia Heights
Outdoor restaurant seating and renovation of a triangle park could help reduce gang activity in a portion of Columbia Heights.
Neighbors near the intersection of 14th Street and Meridian Place in Columbia Heights have long been acquainted with the 3500 crew, a group whose members are often the instigators of noise, littering, drug dealing and violence in the neighborhood.
On Wednesday, ANC 1A unanimously approved two resolutions impacting public space on turf staked out by the 3500 crew. The first supported a public space permit request by Social, a restaurant at the corner of Meridian and 14th, for outdoor seating on the wide sidewalk along 14th Street.
The second requested that the Department of Parks and Recreation hold a community meeting within 30 days to address neighborhood concerns about the planned reconstruction of the adjacent "triangle park" between 14th, Ogden and Oak streets.
The park, which gained citywide attention due to Ruth Samuelson's September City Paper cover story about park benches, had gone through a design process in 2006 but did not have funds allocated for construction until now. Turnover at DPR, on the ANC and within the community at large will make it near impossible for this project to pick up where it left off.
Although a DPR representative said at the meeting that the park could be completed by September, that goal seems unlikely as ANC members expressed interest in having DPR revisit elements of the design. A better picture of where this project stands will emerge at the coming community meeting.
Also at Wednesday's meeting, Social received ANC support for a public space permit that would allow it to begin outdoor seating on 14th Street. A restaurant representative said that the restaurant is looking to begin outdoor seating as soon as feasible. Neighbors in the area hope that outdoor diners will provide a counterbalance to the 3500 crew as a presence on the corner.
Though police action has yielded some results, the 3500 crew persists. As the weather warms and the 3500 crew begins to spend more time outdoors on the corner of Meridian and 14th, these issues will become more pressing. Although the park reconstruction will not be complete until after this summer, establishing a permanent group of "eyes on the street" in the form of outdoor diners and wait staff may have an impact on the 3500 crew's constant presence on this corner.
The crew on the corner of Meridian Place and 14th Street is known as the 3500 Crew because they once operated out of the apartment building located at 3500 14th Street. That building, formerly known as The Cavalier, was completely rehabbed and renamed Hubbard Place. Since some "problem tenants" were evicted by building management as part of this rehabilitation, the 3500 Crew has moved down 14th Street to the corner at Meridian.
Public Spaces
Sette wants an enclosed sidewalk cafe. Where do we draw the line?
In November, Sette Osteria, the pizza restaurant at Connecticut and R in Dupont Circle, proposed putting a retractable awning over their outdoor seating. The awning would enable service in a wider range of weather. The restaurant's manager initially told the community that they planned only to request the awning, not a complete enclosure. However, only a few months after receiving approval for the awning, they have requested permission to install removable panels that would completely enclose the space during the winter.
How far should we allow restaurants to go along the continuum of enclosing their space? Sidewalk cafes are a distinctive part of DC's streetscape. They fill in some of the wide public space, bringing activity up to the sidewalk. At the same time, open-air sidewalk seating leaves open space above, keeping a wide visual view along the street. It allows pedestrians to see and hear diners as they walk by, and the diners become eyes on the street.
In DC, this space is all public, rather than private, property. Owners of the adjacent property can request permission to build a sidewalk cafe and even enclose it, but don't actually own the space.
Sidewalk cafes make a positive impact, and we should encourage them. But what happens when restaurants want to add more than a fence and some seating? Are awnings okay? What about plastic sheeting that restaurants only install during the rain or cold? What about a permanent structure? Some cafes have completely enclosed some or all of their public space with wood, glass, or metal structures. In Dupont Circle, prominent examples include Annie's on 17th Street or Afterwords and Raku on 19th and Q.


Left: Annie's on 17th Street. Right: Raku on Q Street.
Images from Google Street View. Click for interactive version.
Annie's dramatically breaks up the flow of buildings on 17th. The sidewalk on either side extends all the way back to the building line, creating wide, empty spaces. Meanwhile, Annie's sticks far out, forcing pedestrians into a narrow space between the wall and the tree box. Its solid walls prevent passerby from seeing the diners and vice versa.
On the other hand, Afterwords and Raku don't intrude as negatively onto the public space, at least to me. Both enclose part of their public space with permanent structures, but only part. Both place outdoor seating between the enclosed part and the sidewalk. That creates a transition zone. Pedestrians encounter the outdoor seating, filled in good weather and empty in bad, rather than walking right along a solid wall.
To support Sette's awning, the restaurant would install vertical supports along the building front and along the sidewalk. During nice weather or when the restaurant wasn't using the sidewalk cafe, the supports would remain, but the top and sides would be open to the air. Their first proposal involved a large number of these (seven, I believe), each fairly thick. Together, they would have blocked the view along R Street.
The Dupont Circle Conservancy and Dupont ANC both spoke against this plan. In response, he restaurant revised their plans to use fewer supports. Despite some misgivings, DCC and the Historic Preservation Office approved this revised design, but without the signs on the railing (which violate public space regulations):
This month, the restaurant returned to the Conservancy to request a complete enclosure. They would use removable panels to convert between an open air configuration in summer and a fully enclosed one in winter. Sette's representatives argued that they need the added seating to remain profitable. However, many residents, myself included, felt like victims of a bait-and-switch. If they have so many customers that they fill the (fairly large) interior space and need even more, will having the enclosure really make or break the business?
Where should neighborhoods draw the line? Is Annie's over the line, but Raku and Afterwords not? If so, what line divides the two? And if not, where is the right line?
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